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Gangs of wasseypur music director
Gangs of wasseypur music director






gangs of wasseypur music director

Typically these songs include abusive words of the region but it is just for the fun and tradition. The women will sing these sweet songs holding all the relatives from the family of the groom responsible for his physical or mental state (it ranges from the weight, height, complexion, speech… anything). The particular song takes a dig at the ‘sasuraal-wallahs’ for the groom being so thin.

gangs of wasseypur music director

As the date of marriage approaches the women from the locality will gather and sing these songs. Taar bijli se patle hamare piya: Sung by none other than the voice of Bihar folk, Padmashree Sharda Sinha, this song is from the genre of “vivah geet” (marriage songs) from Bihar. Listen this for the pace and beats and the playful singing. The lyrics is playful and mocks someone’s fashion and macho ways of showoff, “daant se khole beer bottle”, “line se loha modey”, “sab rangbaji saath me lekar”. The vocals are powerful and music, which appears to have beats of typical 70s disco dance numbers, is pacey. The singer is a 12-year old Durga who has sung it wonderfully and her voice is overpowering the music. Here is the music review of the Gangs Of Wasseypur part 2 which has 12 songs out of which four are instrumental, three are remix/fusion and other five are original.ĭil chhi chha leather: The music is good and if you could get the lyrics even better. Sneha Khanwalkar has given two hit albums on a trot and I am sure people will love the songs of Gangs Of Wasseypur part 2 with the same intensity in which they loved the Gangs Of Wasseypur part 1. In general, the songs are fast besides the ‘Kala rey’ which is dark in every sense of it. There are different songs like ‘Moora’ which brings you the mixture of English words into local dialect and how people mould it to suit their tongue. It even contains a marriage song in the voice of Sharda Sinha which is a legend of Bihari folk. It gives you some of the different genres of Bihar’s folk. This album is much more experimenting in nature than its predecessor. Keep the first part out of the mind and you will find the songs interesting. The first time you listen to it, you might feel it as a drag but listen it second time and you will realise it’s good. This album carries the momentum of the first part of Gangs of Wasseypur and does it convincingly.








Gangs of wasseypur music director